There will be a variety of concurrent sessions during the Okoboji Writers’ Retreat. The authors of the books below (and more) are looking forward to working with you.
You won’t be able to do them all, so put some thought into your choices ahead of time. This syllabus is in no particular order. Most sessions will be 90-minutes in length and conducted in small group settings around tables of 6-8.
Each speaker is terrific. Don’t be intimidated by these exciting opportunities. All of the speakers are coming to help YOU.
Check this page often as speakers and topics will change.
Welcome Kyle Munson to the Okoboji Writers’ Retreat lineup.
Detail, focus, and rhythm in writing Good writing is roughly 90% reporting and analysis. Vivid detail and context provide building blocks and confidence.
* The extra time spent crafting a story is a sign of your respect for the reader’s time. * Every word and punctuation choice affects tone and impact. Know both your audience and your own voice. * Curiosity, humility, close listening, and an open mind: A writer willing to be surprised can find better stories. Kyle will do 90-minutes sessions Monday and Tuesday mornings.
Just added: Beth Howard!
1. Stories are Like pie, They are Meant to be Shared.— Everyone has a story to tell but so many are afraid to put their work out there. This workshop will give you the encouragement to show your work whether or not your goal is to get published.
2. Blog to Book — Blogs aren’t dead yet, and they’re a good way to generate material that could lead to a book. I’m living proof of this.
3. Finish the F-ing Book — So many people want to write a book, but they lack the discipline or drive to see it to completion. This workshop will give you motivation along with tips so you can finish your book once and for all. (Could also call this: How to Get to “The End” or Keeping Your Butt in the Chair)
- Framing a story, asking the questions, getting details by John Dinges. Nonfiction writing from article to chapter to book. Dinges was a freelance correspondent in South and Central America and has written four investigative books using interviews, court testimony and delcassified documents. He edited other writers as desk editor (Washington Post, NPR) and taught writing and reporting at Columbia University. John Dinges
2. The art of commentary, by John Dinges. Universalizing your personal experiences, grounding observation in detail, using humor and self- deprecation. Formats include the NPR 3-minute commentary, the op-ed, columns. John Dinges
3. Finding secrets, by John Dinges. The basics of investigative reporting and writing. Examples wiil be drawn from my work investigating dictatorships and US policy in Latin America. John Dinges
4. Writing Hot: It’s Not About Sex, It’s About Sensuality, by Rachelle Chase. As a writer, how do you make a scene hot—or rather, a sexy read? A sexy read does not necessarily mean lots of sex. A scene or book can be overflowing with sex and be disappointingly un-sexy. Or it can have little or no sex and be overwhelmingly sexy. So how can you make an every-day, mundane, nonsexual situation sexy? And, when it’s time for that sex scene, how can you make it satisfying for the reader? Whether you need to add a hint of sexiness or sizzling heat, the answer to both is sensuality. In this workshop, you’ll learn the #1 misconception about sensuality, the 3 factors that heighten sensuality, how to use “Sensual Layering” to make the mundane sexy, and the 10 ingredients necessary for a sensual and satisfying sex scene. NOTE: Due to the subject matter of this workshop, attendees must be 18 years or age or older. Rachelle Chase
5.Write the Book You’ve Dreamed of Writing-Even if You Don’t Know What it is, by Rachelle
Chase. Always wanted to write a book, but don’t know how to get started? Have a lot of ideas, but not sure what to put down on paper? Or perhaps you’ve started writing and have a series of scenes, but are unsure what to do or what to write next. Besides being well-written, a book that keeps readers turning the pages tells a story. In this workshop, you’ll find (or refine) your story by learning how to identify what it is, how to narrow – or expand – the focus, the best place to start your story, and tips on how to keep your reader interested, as well as the pros and cons of writing different genres. Rachelle Chase.
6.How to Get Published By Accident, by Rachelle Chase. For whatever reason, you’ve decided that self-publishing isn’t right for you. You’ve honed your writing skills—taken writing classes, completed a project, gotten feedback, and made revisions. Your book or proposal is the best it can be and you are ready to send it out into the world. But how do you get agents or editors to read your book out of the hundreds or thousands of submissions? And how do you get an agent to represent you or a publisher to buy your book? Or how do you get published without an agent? Unfortunately, there are no sure-fire steps to publication or guarantees that your book will sell. But there are things you can do simultaneously to increase the odds of getting published, which may make it seem like it happened “by accident.” In this workshop, you will learn the attitude needed to make it happen, who to network with and how to reach them, as well as get tips on how to get your work read by agents and editors and resources to take home with you to get started, from published author, Rachelle Chase, whose first two books were sold to a New York publisher “by accident” – and within 4 months after submission. Rachelle Chase
7. Commentary, by Douglas Burns, Carroll Times Herald. What I learned in four newsrooms working with Pulitzer winners. How reporting is key to good commentary. Douglas Burns.
8. Social Media, by Douglas Burns. What I learned starting my own digital marketing company. Douglas Burns.
9. Telling a good story, by Douglas Burns. What question aren’t you asking yourself and your subjects and sources. Douglas Burns.
10. Commentary, by Ty Rushing. Tips for factually expressing your opinion. We all have opinions and love expressing them, we can’t help it; it’s human nature. However, in this age of disinformation and instant fact-checking thanks to the internet, we have to make sure we know what we are talking about when offering up our own commentary. Rushing will offer a few pointers and tidbits on how to get something off your chest in a more deliberate and accurate manner. Rushing has won multiple awards from the Iowa Newspaper Association for commentary and reporting. Ty Rushing
11. Using Social Media, by Ty Rushing. Build your digital audience. Ty Rushing Build your digital audience. A digital native, Rushing will talk to you about navigating the troll-infested waters of the internet. While the internet can be an awful place, it can also be beneficial and help writers connect directly with their audience and open up additional opportunities.
12. Tips For Better Storytelling, by Ty Rushing You have this grand idea but don’t quite know how to express it. That’s OK. Rushing will talk to you about taking those thoughts out of your head putting them down on paper — so to speak — so that you may share them with others if you so choose.
13. Shaping Your Memoir. A great memoir doesn’t tell your whole life—just a slice of it. Choosing the right slice is the key. How do you frame your writing within a period of time that’s compelling and transformational? And out of an entire lifetime of events, how do you decide which moments serve the story you want to tell? Deb Landwehr Engle
14. The Story’s in the Details. Every great story includes four elements: Characters, setting, plot, and dialogue. And all of them hinge on one secret ingredient: Specific details. We’ll talk about how to make your writing more specific, and why your attention to detail will make your stories sing. Deb Landwehr Engle
15. How to Write Spiritual Nonfiction: Whether you’re writing self-help, inspiration or how-to, the category of Spiritual Nonfiction is booming. How do you choose a “hook” that sets your writing apart? How can you teach without being preachy? And how can you launch online classes and workshops based on your spiritual nonfiction writing? Deb Landwehr Engle
16. Memoir writing and research. Why it’s important to write your family’s story. The five most important official documents in genealogy. Why each is important. Where to find them and how to get them. DNA testing: Why you should do this even if you think you know everything about your family’s history. What to do when you hit a wall. The importance of the places your ancestors lived. Arnold Garson.
17 & 18. Writing Tips and Techniques. The writing process: Books on writing that Garson uses regularly. Writing isn’t a race; more like a slow crawl. Be prepared to devote the time it will take. The importance of research. Setting up a workspace. How to hook your reader. Story structure – Keep it simple and how to do that. Arnold Garson
19. It’s all About Relationships. Editors receive hundreds of emails a day. Learn the best techniques to ensure your hard work gets published. Rachel Weber Rachel will be in our Zoom room.
20. Find Your Niche: It’s impossible to be good at everything, but Rachel guarantees you have an area of expertise. Learn how to hone in on what you’re best at so you can gain the confidence to get that first gig. Rachel Weber
21. The Art of the Gram. If you’re a visual storyteller, Instagram is your place to shine. We’ll walk you through how to write a bio, what kinds of photos to share, and why it’s important to backlink your personal website. Rachel Weber.
22. Memoir as easy as apple pie. Beth Howard. Find out how pie has been the crust of her experience as an author, blogger, radio host.
25. Writing a non-fiction narrative. James O’Shea will conduct small group sessions for those who want to write in this genre. You’ll learn how to create a narrative, be a better reporter and find your voice as a non-fiction writer. He is the author of three well-reviewed non-fiction books, including a best-seller, and contributor to a fourth book as well as many newspaper and magazine stories. James O’Shea.
29. The way you wear your hat, the way you sip your tea. Using writing exercises and prompts, we’ll tap into memories of small but significant moments that form the basis of a good memoir. Along the way, we’ll hear excerpts from well-known authors to study their techniques. We’ll share our writing, and encourage each other. Finally, we’ll begin writing an essay of about 500 words that incorporates what we’ve learned. Nancy O’Shea participated in several creative writing and memoir writing classes. She learned how to motivate herself to write how to overcome stage fright and accept comments when reading her work to peers/classmates. Nancy O’Shea.
30. Writing tips. No matter what your subject or audience, there are tips we all can use. This session will examine common mistakes and remedies. We’ll discuss how to take an awful first draft (they’re always awful) and polish it by rewriting and editing. The difficult but necessary process of paring down words (or entire pages) is often referred to as murdering your darlings. Nancy O’Shea has written about many different subjects (science, business, features, etc.) for a variety of genres (magazines, newspapers, press releases, speeches, etc.), and understand how to tailor a piece to best reach the intended audience. Nancy O’Shea.
31. Getting over the speed bumps. Writing is hard. We all experience discouragement and rough patches. In this session, we’ll learn from each other. Bring your stories of how you shifted gears and got going again. Nancy O’Shea.
32. How I Did It! Jean Logan retired and created a whole new chapter in her life by writing historical fiction. She will share her journey of self-publishing. Jean Logan
36. How to win a Pulitzer Prize and have a documentary film produced about you: Art Cullen, the Storm Lake Times, will address the whole group on Monday afternoon. Here’s Julie Gammack’s column about “Storm Lake” and Art Cullen. Art Cullen.
37. Commentary: Finding Your Voice, telling tough truths. Developing the three key ingredients to write a good opinion column. Rekha Basu.
38. Sometimes it takes the right music. We all get writer’s block, and sitting at the keyboard and staring at the screen isn’t usually the way to overcome it. You may need to get out of your head and stop overthinking things. Rekha Basu
39. Make it relevant to the readers. You can be the best scholarly writer and have the most pertinent facts but still not get newspaper readers to care about what you are reporting. It takes reaching them where they live. Rekha Basu.
40. The View From Behind the Desk of a Top Literary Agent. Are you ready to ‘meet’ an agent? Here’s one of the best. Jane Dystel will be joining us via Zoom from her office in New York. Dystel appeared at several writers’ retreats organized by Gammack in the 1990s. She has ‘discovered’ many successful authors, including a young Barack Obama, whom she represented in his first book. Check out her bio and website for a list of her extraordinary clients. Jane Dystel
42. How to Keep Your Pitch from Being Pitched. What agents and publishers are looking for today and some changes to the industry as a result of technologies. Jane Dystel.
41. Pros and cons of self-publishing. Pros and Cons of Self-Publishing. Process of manuscript development. Formatting. Finding an Editor: Developmental, copy, format, cover art, genre
How to submit your manuscript: print and ebook. Jean Logan
42. At the heart of romance, by Leigh Michaels. Romance novels are the largest-selling portion of the paperback and ebook markets in the US. What makes a book a romance novel (rather than a love story)? And why is a romance novel more than just boy meets girl? Leigh Michaels.
43. Writing History — Fiction and Fact, by Leigh Michaels. Whether you’re writing fiction or non-fiction, details are key. Setting your novel in a historical era is more than just learning when your characters could first enjoy potatoes. Thoughts and attitudes are even more problematic than anachronism for the 21st century writer, when you’re creating characters who lived in a different era. Leigh Michaels.
44. Writing Between the Sexes, by Leigh Michaels. Have you read a mystery where the heroine sounds like an oversexed gangster? Or a romance where the hero sounds more like a girlfriend than a man? Chances are, the oversexed heroine was created by a male author, and the tender, emotional hero was created by a female author. Men and women think, act, and talk differently – which causes problems for writers who are trying to create characters of the opposite sex. Learn about the most common gender differences and how to use them to create believable — though not stereotypical — characters of the opposite sex. (And along the way, you may get some great ideas about how to deal with your husband, boyfriend, boss, big brother, or other assorted males. Or for the first time, understand what’s really going on inside the head of your wife, girlfriend, mom, little sister… all those women who have been confusing you.) Leigh Micheals
How to write a query letter. Literary agent Monika Woods will teach you what literary agents are looking for in successful communications from a writers. Monika Woods
Publishing 101 – Monika Woods will provide an overview of what writers need to know about the industry, with a “AMA” style question and answer session. She will appear via Zoom in a small conference room at the Maser Monarch Lodge. Monika Woods
- Workshop your Writing: Scene Is your writing luring the reader into your scene? Bring your writing to workshop and let’s look at examples of great scene building together. Beth Hoffman.
2. Workshop your Writing: Meaning in Memoir Why should anyone care about your memoir? In this workshop, we will think about how your personal story ties into bigger themes and how to incorporate research into your work.
Beth Levison, How to get a documentary written, produced, funded, and delivered. Levison will be in town for the showing of STORM LAKE.
Podcasting is a fast-growing way to gain a following. Veteran broadcaster Michael Libbie will hold one session for those who are interested in learning how to start, launch and build a podcast audience.
Kyle Munson tells stories. He will help you tell yours in ways you have yet to consider.
Co-facilitator, Richard Gilbert, will help introduce speakers and facilitate the room along with co-facilitator and retreat organizer, Julie Gammack. Richard Gilbert.
Are you enrolled? If not, we are full, but let us know if you’d like to be on our waiting list.